Oh. My. Days.
We knew this was going to be entertaining, but never imagined that it was going to be quite THIS silly! The simple, classical instrumentation suggested we were in for a bit of a treat, one way or the other. But Wowsers, we've been spoilt!
If you heard the instrumental version that was kicking around a couple of days ago, the light and dark shades hinted that it was more akin to a duet than a single voiced event - and it is… with himself! Seriously! One second he's sugaring it out in a saccharine pop voice, the next belting it out in near operatic tenor. This kind of schtick is easy enough to pull off in the studio. But live? This could be one of the most fun packed car crash events in years. Or he might just pull it off and knock all our socks off. Somehow.
Oh yes, I forgot the spoken intro. A SPOKEN INTRO, I TELL YOU! These things are hard enough to make sound sincere when you're doing them as a one off - so how tired it's going to sound after dozens and dozens of repetitive rehearsals who can say.
Ooh, ooh, and then there's the Frozen bit. Yep, there's a couple of musical phrases within the chorus that sound, show shall we say this delicately, EXACTLY like the main hook to Let It Go. And if not exactly, then there's a run of notes so similar that they've been precision tooled to sound very much like it without being exactly like the song of which it sounds a bit like. Which is some kind of evil genius. If the people among the crowd who aren't fond to his somewhat old fashioned views of sexual preferences want to make a protest, they shouldn't boo - they should all start singing Let It Go en masse when it gets to that bit. It would make the poor lad's head explode.
But really, what were they thinking? With all of it! I still can't work out whether this is dog dirt off a tramp's shoe or one of the most incredible things ever. I think it's a bit of both. I'M BROKEN!